Press Enterprise Artist Spotlight: CRABBE FOCUSES ON MIND, BODY, SPIRIT

Press Enterprise Artist Spotlight: CRABBE FOCUSES ON MIND, BODY, SPIRITCRABBE FOCUSES ON MIND, BODY, SPIRIT

BY DANIEL FOSTER AND JILL JONES THE COMMUNITY FOUNDATION Published: 08 May 2012 03:43 PM

Artist Kathy Crabbe has chosen to address issues of the mind, body and spirit in her artwork. She uses an intuitive, spontaneous and process oriented approach to her work in a variety of mediums.

Crabbe studied art in Canada where she shaped many of her artistic themes as she studied the female form and women’s studies. She moved to Laguna Beach California and exhibited at the Sawdust Art Festival for seven years. Her work has continued to evolve and embody more humor and playfulness during those years. Living in Southern California also injected a brighter color palette into her work.

In 2000 she moved to Temecula where she now lives and works while she displays her artwork throughout the Southern California region. Throughout During her time in California she has also expanded her studies in printmaking and other media, taking courses and workshops from well known local artists such as Dixon Fish, Helen Shafer Garcia, Amber George and Leslie A. Brown.

In 2008 she started working on a series entitled “Journey into Intimacy” which consists of mixed-media paintings using charcoal, pastels and acrylics applied to smooth surfaces, using both conventional and unorthodox tools and methods. She has been known to use garden rakes, sponges, house painting brushes, fingers and other body parts as she layers and scrapes the surface.

In the “Journey Into Intimacy” series, patterns and symbols are repeated and serve to evoke deep emotions and reverence for the spirituality of nature. “I depict an inner landscape of the senses. Part dream, part yearning and part sacred symbol, the work stems from a holistic perception of the world. Emotions are spiritualized into divine patterns pre-existing in nature — the circle, a seed pod,” states Crabbe.

“Crabbe’s mixed-media paintings and prints are a journey into the forgotten parts of the self; those places, both emotional and physical, that are rejected, neglected, or under-valued in our corporatized and sanitized culture. These neglected places exude a dark kind of beauty and complexity as they form themselves in her work. This work is a foray into sweetness, light and danger all at once. It is deep intimacy — a deliberate mirror and an intent of reclamation. I look forward to following this series,” said Tangerine Bolen, executive director at Revolution Truth.

Crabbe’s BodyPrint Healing series of printmaking includes etchings and monoprints in which she again uses a variety of techniques and methods this time to explore transformative healing through the work.

“Instead of falling victim to pain and suffering, these feelings can instead be transferred onto paper, objectified, transformed and healed,” Crabbe said.

“Kathy’s artwork caught my eye as soon as she arrived at the Mt. San Jacinto College Art Gallery to submit her work for the show I was curating. I was pleased that she brought with her both an etching and a print, representative of a range of her work. The monochrome color palette was both soothing and inviting, and I was beckoned to look more closely at the images to see what they had to say to me. The pieces, both part of the BodyPrint Healing Series, had a lot to say about the healing and release that can be experienced when making art. I was more than pleased to include “V Etch” and “V 1” in Your Face Here: The Modern Self-Portrait and I look forward to seeing Kathy’s art on display in the future,” said Leslie Paprocki, curator, Your Face Here: The Modern Self-Portrait.

Crabbe exhibits extensively throughout Southern California. She is a member of the Plein Air Artists of Riverside (PAAR) and the Printmakers Network at the Riverside Art Museum (PNET) as well as a member of the Dorland Mountain Arts Colony in Temecula.

Crabbe will have work in several upcoming shows including a one day solo show at the Sun City Library on Sunday, May 27, 2012, Art and Earth: My Art, My World at the Murrieta Public Library, Tuesday, May 1 through Saturday, June 30 with an opening reception on Saturday May 5 from 2 to 4 p.m., and she will have an additional solo exhibit at San Marcos Library from Sunday, May 6 to Tuesday, June 24, 2012.

For more information visit the artist’s website at http://KathrynVCrabbe.com Article Source

Portfolio: Journey Into Intimacy

2011 Journey Into Intimacy

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2010 Journey Into Intimacy

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2009 Journey Into Intimacy

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Artist Statement

I am interested in exploring contradictions abstractly by juxtaposing opposites to express multiple truths. Each painting and print is an exploration of intimacy, vulnerability, raw emotion and healing in line with the Divine Feminine.

The watery, responsive nature and quick drying time of acrylics expresses fleeting moods and fiery passions in brilliant color that blends, bleeds, drips and flows onto smooth, gessoed silk and wood.

The paintings are just large enough to capture huge and overpowering emotions using unusual tools like garden rakes, house painting brushes or my body pressed into the surface.

Nothing is pre-planned or sketched. The process itself leads the way no matter how long it takes. Sometimes one stroke can take hours of looking.

I hope this series inspires the discovery of hidden beauty.

Kathy Crabbe

Resume Blog: art-in-progress

I come out of my hermit shell

Being interviewed by Karen, The Fog City Psychic on Blog Talk Radio was probably the high point of my week, or right up there with the Sag Full Moon/Eclipse meditation. We talked, we laughed and we were GREATLY inspired by the Sagittarian Full Moon Energy invigorating us all with passion, purpose, politics, and speaking up for our highest truth. Enjoy! (Click link above to listen)

Innocence Lost

Innocence Lost. Acrylic & pastel on masonite, 48 x 48 inches. © 2011 by Kathy Crabbe100 Words 5/24

It is amazing how one stroke of a brush or line of charcoal can exhilarate. Without over-thinking I let the painting itself guide me into new territory, Aries rising leads the way, until something unique and intriguing is discovered.

Sometimes a little insanity is a good thing...that's what art has taught me.

Amorphous forms arise from the murky deep. Sea creatures feed.

Art making requires supreme faith in one's humanity, or what's the point in living? Working alone we face ourselves - can you handle it? What kind of world do you want to create given a choice?

5/25

My painting dreams ME into being almost as if I don't exist until I paint it so. Sometimes I'd like them to be more political, but often they just don't care...their roots grow deeper, their consciousness primeval...a reminder of hidden depths we've yet to plunder.

Innocence lost, a forgotten melody, a charm, a far off friend, a sorrow buried...these marks I make a reminder.

Paintings I love: the Post Impressionists, Expressionism, the Fauves: Matisse, Gaugin, Kirchner, Nolde, Munch, Der Blaue Reiter, early 20th century Paris, woodcuts - raw emotions.

Where to go next? One false move it's ruined.

5/26

"No" to painting today. It's so perfect and sunny but paint it is and so I sit and stare and wait and ponder and write and dream and worry and wait and hem and haw and fiddle and fuss until the birds and the breeze and me are in synch then I close my eyes, take off my glasses, put down this pen.

Can things be easy just for once? Like having someone else sell my work so I can paint and printmake and write and Circle. Does there have to be a hard part. Can't we all flow?

5/27

What's the good of expressing emotions? Well, for the "armoured amazon" (Schierse Leonard), let down by an emotion-less father figure it spells hope for mankind and I do mean the 'man' part.

The fire that burns within must be released or else one dies from the inside. Commercializing art-making brings no joy or hope or spark to me. Creating and releasing. The trick takes place in the next act: the selling and marketing of the work - not my job, but like breadcrumbs to the wolf, my paintings are being discovered by the trickster who resides in each of us.

EXTRA BIT: Perhaps by facing and owning this trickster, this huckster of dime store dreams, we can save what's left of our culture and ourselves. If dreams are paintings let mine save nothing, not souls, not dreams, not minds, no escape from ourselves. So what's left? What's the point? There is no point. We've only got our own life to make a difference. How will you make a difference? The point is to go beyond everything and into new territory and yes, I'm sure it's been explored before, but for me it's new - that's where the thrill lies. New for me, is having faith in my work in and of itself and for no other reason other than that it exists and its good and its speaks to me.

On the Art of Life and Vice Versa

Inspiration via Michael Kimmelman's book The Accidental Masterpiece On the Art of Life and Vice Versa~ Eva Hesse (sculptor) said:

All my stakes are in my work. I have given up in all else. Like my whole reality is there - I am all there." It was and she was. That was Hesse's declaration of ardor and commitment, for which she was willing to bet the house. Sol LeWitt had encouraged that attitude in one of the great freewheeling examples of an inspirational letter from one artist to another. "Learn to say 'Fuck You' to the world once in a while, " LeWitt told Hesse. "You have every right to. Just stop thinking, worrying looking over your shoulder, wondering, doubting, fearing, hurting, hoping for some easy way out, struggling, gasping, confusing, itching, scratching, mumbling, bumbling, grumbling, humbling, stumbling, rumbling, rambling, gambling, tumbling, scumbling, scrambling, hitching, hatching, bitching, moaning, groaning, honing, boning, horse-shitting, hair-splitting, nit-picking, piss-trickling, nose-sticking, ass-gouging, eyeball-poking, finger-pointing, alleyway-sneaking, long waiting, small stepping, evil-eyeing, back-scratching, searching, perching, besmirching, grinding grinding grinding away at yourself, Stop it and just DO.