Today's black orchid

Today I sketched a black orchid 'cause my buddy James wanted a photo, so of course I didn't listen (as my husband tells me fairly often!) and sketched and photographed my black orchid instead. I really like how this photo turned out; very moody. Perhaps like watching a movie filmed with late '60's Russian Lomo lenses?

Kathy Crabbe. 2012. Black Orchid, photograph 8 x 10 inches.

Black Orchid. Kathy Crabbe. 2012. pencil on paper, 8 x 10 inches.

So, this is how my week started out. Later I worked on a weird, spacey, possibly deep lagoon creature that I painted on a black gessoed canvas. After going as far as I could with that piece I started a new painting; not sure what to tell you about it yet, but here is the palette I was using.

palette 03-11-2012

For more drawings please check out my art site: KathrynVCrabbe.com

Arty weekend: Painting at Dorland & Wine Country Opening

Last weekend (March 3-4) was the Spring Open House at the Dorland Arts Colony in Temecula, California. I was there painting along with two artist's group I belong to: the Plein Air (open-air) Artists of Riverside (PAAR) and the Printmaker's Network (PNET). There was live music, art for sale, artist's in action, art colony residents (Leslie Sterne, author), an auction and a raffle; plenty of arty goodness for all. Afterwards I invited PAAR members to attend the grand opening of a new art gallery in Temecula's wine region where I was exhibiting two paintings from my new series, Journey Into Intimacy. It was the final night of the opening so we happily helped polish off the last of the cream puffs, Van Roekel Merlot, cheesecake and brownies as we watched a gorgeous California sun setting over the vineyards. Arty links are at bottom of post.

Helpful Links Dorland Art Colony, Temecula, California: http://www.dorlandartscolony.org Wine Country Art Gallery: http://www.facebook.com/events/259219804156504/ Plein Air Artists of Riverside: http://pleinairartistsofriverside.blogspot.com Printmakers Network: http://www.riversideartmuseum.org/groups/printmakers-network/ Gary Rainsbarger, PAAR President - Art: http://www.garyrainsbarger.com Susan De'Armond, PAAR Treasurer - Art: http://www.susandearmond.com Elin Pendleton - Art: http://www.elinart.com Kathryn V. Crabbe - Art: http://kathrynvcrabbe.com

Talismanic markings: painting as a holy act

I needed a biographical summary of my life as an artist for a new gallery in Temecula's Wine Country that will be selling paintings from my newest series, Journey Into Intimacy ( pictured below) and so I spent some time this week writing it. I also had some very helpful guidance from an excellent (but expensive) book called Accelerating on the Curves by Katharine T. Carter & Associates. I've decided to make my fine art website a bit more personal, so I've added a photo of myself (taken at the Norton Simon Museum in Pasadena) and attempted through my writing to enlighten my readers about some formative experiences and influences that helped shape my work. Knowing me, I'll be tweaking this ALOT but for now, this is what I've written. Enjoy! If you want to read my entire bio (it's quite long!) then please click the website link above.

Kathy CrabbeKathy Crabbe ~ Bio

Born 1965 in Kingston, Ontario, Canada, Kathy Crabbe lives and works in Temecula, California.

Kathy took an interest in art while very young in a family that encouraged the exploration of every medium. She received a Bachelor of Arts in Art History from Queen’s University in 1988 and a Graphic Design Diploma from St. Lawrence College in 1992. Of particular importance to her vision as an artist was her study of the female form and women’s studies.

In 1993 Kathy moved to Laguna Beach, California where she painted the LuLu in Laguna Series, paintings on silk which she exhibited at the Sawdust Art Festival for seven years. She brought to her art a playful sense of humour and an expressive use of colour, which has remained at the core of her work throughout her career.

After moving to Temecula, California in 2000 Crabbe started to paint exclusively with her non dominant left hand and created the Lefty Series, a collection of humorously titled cartoon characters. She also wrote poetry and created a series of zines and chapbooks based upon the Lefties which were exhibited at museums and libraries around the world.

Untitled. Acrylic, pastel & charcoal on canvas, 48 x 48 inches. © 2011 by Kathy Crabbe

In 2008 Kathy started a series of acrylic, abstract paintings, a Journey into Intimacy. She studied printmaking at Palomar College, bought an etching press and is making monoprints and etchings for the BodyPrint Healing Series. Crabbe also became a Creative Soul Guide and teacher of the popular eClass, Awaken Your Divine Feminine Soul at the Wise Woman University. The intuitive process has informed Crabbe’s work and life from the beginning.

I create simply for the love of becoming; like a talisman I mark my space, my canvas, the paper with my body, my marks and colours, not to say ‘look at me’, but as a holy act to awaken love, intimacy and healing – to become whole, not fragmented, to feel it all I paint all emotions; fear and love. I also paint bird imagery to free myself, to fly, to be free. I paint to regain my soul and the soul of my people that has been lost, repackaged and sold to the god of commerce.

Why I Create

Coral Room. Acrylicl & charcoal on canvas, 48 x 48 inches. © 2010 by Kathy Crabbe Here's something I wrote in my journal last week to shed a little light into my reasons for creating, for painting, and for being an artist. I also wrote it in preparation for an upcoming  exhibit of my work at Temecula's newest art gallery.

Why I create: I create simply for the love of becoming; like a talisman I mark my space, my canvas, the paper with my body, my marks and colours, not to say ‘look at me’, but as a holy act to awaken love, intimacy and healing – to become whole, not fragmented, to feel it all I paint all emotions, fear and love. I also paint bird imagery to free myself, to fly, to be free. I paint to regain my soul and the soul of my people that has been lost, repackaged and sold to the god of commerce.”

You can read my entire bio including my artist's statement here on my art site: http://www.kathrynvcrabbe.com/bio/

The painting above titled Coral Room will be on display at The Temecula Wine Country Gallery in Temecula, California's Wine Country this weekend. The opening reception will be March 2-4.

Sketching at Dorland Art Colony

On Sunday, March 4 you will find me, along with two artist groups: PNET, the Printmaker's Network and PAAR, the Plein Air Group of  Riverside County at the Dorland Art Colony's Spring Open House. We will be painting and sketching the scenery around this beautiful, quiet artist's retreat center from 1:30-4:30.

 

Discipline Required - Brainstorming in Process!

Stone Basket.  Pastel & pencil on paper, 8 x 10 inches. © 2012 by Kathy Crabbe Discipline seems to be a key word for my process right now. The key is keeping Facebook time low! The computer world is insidious; it creeps into your life quickly and it stays there.

Each morning I sketch outside (plein air is the fancy French term for it) and have been focusing on still lives rather than landscapes as of late. My 2B pencil is put to work although I need to find a 6H to get really serious ;) It feels like I'm in training right now (athletic discipline required).

I'm also brainstorming; giving my corpus callosum a work out for a couple of prints I'm conjuring for an exhibit called Verse to Image at the Riverside Community Arts Association Center. I chose a quote about rebellion from Chris Hedges' book, Death of the Liberal Class and a poem by Margaret Atwood titled The Poet Has Come Back; both reference death. Somehow printmaking brings out the darker more political side of life for me. Prints are due mid March and making an etching can take a while so I'm digging in and going deeper with Atwood's poem for starters; perhaps the two will tie in somehow. I hope to post some photos here in the coming weeks so stay tuned.

Quotations of Interest (originally posted on my Facebook page this week)

"Unfortunately, many works sold at art fairs, and in the global market in general, promote cultural cliches or personal brands...Formatted for private collection spaces and museum galleries, this art is too often totally predictable and non experimental." ~ Hou Hanru, Art in America, Nov. 2011

"College Art Association is at the LA Convention Center. CAA is a front for Goldman Sachs student loan scam to keep young creative people broke and enslaved in debt. CAA is the Monsanto of Art, complicit in crimes against creativity. Top that rant!!!" ~ Matt Gleason (who was expelled from every school he attended according to his Facebook Info page...hmmmm, not surprising really, is it?)

California Alliance for Arts Education Webinar: How to work with your local school board to keep arts education in schools.

"All we have, as Vaclav Havel writes, is our own powerlessness. And that powerlessness is our strength. The survival of the movement depends on embracing this powerlessness. It depends on two of our most important assets—utter and complete transparency and a rigid adherence to nonviolence, including respect for private property. This permits us, as Havel puts it in his 1978 essay “The Power of the Powerless,” to live in truth. And by living in truth we expose a corrupt corporate state that perpetrates lies and lives in deceit." ~ Chris Hedges

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