The Power of Positive Thinking

Kathy Crabbe, Love, 1998, silk dyes on silk, 7x7”.

Kathy Crabbe, Love, 1998, silk dyes on silk, 7x7”.

I've been delving back into the Seth Books (channeled by Jane Roberts beginning in 1963). I read them before going to sleep; to invigorate my dreams and shift my consciousness. I always find a few nuggets of wisdom each time I flick through her books and this particular nugget (see below) stayed with me for a while; especially part 4, about how we plant the seeds of the future in the present. I've been consciously working with planting seeds of success in my own future and practicing gratitude (saying my blessings) for all I have in my present every day and it really does make a difference. I feel happier and more positive all round. It seems so simple, but sometimes simple things are the easiest to remember and put into practice. I am not advocating that we all become Miss (or Mr.) Sunshine 24-7, that's just plain annoying, but that we make some room in our daily lives for positive thinking alongside our daily practices.

One: I will approve of myself, my characteristics, my abilities, my likes and dislikes, my inclinations and disinclinations, realizing that these form my unique individuality. They are given me for a reason.

Two: I will approve of and rejoice in my accomplishments, and I will be as vigorous in listing these -- as rigorous in remembering them -- as I have ever been in remembering and enumerating my failures or lacks of accomplishment.

Three: I will remember the creative framework of existence, in which I have my being. Therefore the possibilities, potentials, seeming miracles, and joyful spontaneity of Framework 2 will be in my mind, so that the doors to creative living are open.

Four: I will realize that the future is a probability. In terms of ordinary experience, nothing exists there yet. It is virgin territory, planted by my feelings and thoughts in the present. Therefore I will plant accomplishments and successes, and I will do this by remembering that nothing can exist in the future that I do not want to be there.

From Dreams, "Evolution", and Value Fulfillment, Vol. 1 by Jane Roberts.

Kathy Crabbe: Guiding Your Creative Soul

Enter Goddess No. 1 or How to dream a new reality

Kathy Crabbe, Goddess No. 1, 2012, acrylic, charcoal & pastel on canvas, 48 x 48” I can feel a new series of paintings coming on and as usual, the idea came to me at a low point when I needed it the most. After a very dark conversation with a good friend I penned an equally dark blog post, then after 24 hours I realized that it didn't even sound like me so I nixed it and began to go deeper.

As I sat and stared at my current painting in progress I asked for a vision and then I meditated. Next, I found myself in a swirling, milky green crystal where I encountered a fire spirit and so I dallied a while and when I came to I had the idea for a new series to be called: The Lost Goddess Series and of course my last painting (see below) just had to Goddess No. 1

Connecting with the fire spirit reminded me of all the work I've done in the psychic realms and as a Creative Soul Guide and teacher of the eClass, Awaken Your Divine Feminine Soul and it made me wonder why I had not brought these 2 realms together in my new work. And when I asked that question, POOF everything fell into place and it made sense why this last painting had a female face within it.

I am hoping to commune further with this Goddess to see if she will tell me her name and what kind of magical qualities she has, so stay tuned!

My Facebook friends suggested these names for her: Egyptian Pagan Alien Samurai TimePiece Silent Dancer Horns of the Moon Torn Coatlicue Gently Rising Inner Currents Trip to the dentist

*This painting is available for purchase, please email Kathy Crabbe for more info*

Notes from The Seth Material

Subjectively speaking, you are everywhere surrounded by your own greater reality, but you do not look in the right places. You have been taught not to trust your feelings, your dreams, or your imagination precisely because these do not fit the accepted reality of facts.

They are the creator of facts, however. In no way do I mean to demean the intellect. It is here, however, that the tyranny of the fact world holds greatest sway. The intellect has been denied its wings. Its field of activity has been limited because you have given it only facts to go on.

Each event of your life is contained within each other event. In the same way, each lifetime is contained in each other lifetime. The feeling of reality is "truer" then in the dream state. You can become consciously aware of your own dreaming. You can also allow your "dream self" greater expression in the waking state. This can be done through techniques that are largely connected with creativity.

Creativity connects waking and dreaming reality, and is in itself a threshold in which the waking and dreaming selves merge to form constructs that belong equally to each reality. You cannot begin to understand how you form the physcial events of your lives unless you understand the connection between creativity, dreams, play, and those events that form your waking hours. In one respect dreams are a kind of structured unconsious play. Your mind dreams in joyful pleasure at using itself, freed from the concerns of practical living. Dreams are the minds' free play. The spontaneous activity, however, is at the same time training in the art of forming practical events.

From The Nature of The Psyche, A Seth Book by Jane Roberts

 

How to envision a new reality: Tips from the ancient dreamers

Kathy Crabbe, Take me to your playground, 2012, acrylic and charcoal on canvas, 48 x 48”. While reading the Seth Material (printed below) please be aware that this is channeled information received by Jane Roberts from Seth, “an energy personality essence no longer focused in physical form”. Many people find this kind of writing transports them creatively into other worlds and dimensions.

The text below about the ancient dreamers clicked with me instantly so I'd like to share with you how it relates to my work. When I began my current series of paintings, Journey into Intimacy I too radically slowed my pace of living; editing and simplifying, putting my painting and drawing at the forefront. My inner compass has always been guided by my dreams and I feel a natural affinity with the ancient cave painters, and with vedic scribes and medieval monks; creators of the illuminated manuscripts. I also believe that we can heal and create our reality using our thoughts, dreams and visions as a starting point. But now, with my current work I am expanding that personal vision, just as the ancient dreamers and cave painters did, into the external world. My dreams are my paintings and, like the ancient dreamers, invite you to step into a new world and envision a new reality.

My first painting on canvas from the Journey into Intimacy series is titled "Take me to your playground" (see above) which quite literally is an invitation, but an invitation to what sort of playground is unclear, leaving room for imagination - that part is up to you. Please feel free to share your thoughts, comments and visions below.

Notes from the Seth Material by Jane Roberts

There is a great underlying unity in all of man's so-called early cultures - cave drawings and religions - because they were all fed by that common source, as man tried to transpose inner knowledge into physical actuality.

The body learned to maintain its stability, its strength and agility, to achieve a state of balance in complementary response to the weather and elements, to dream computations that the conscious mind alone could not hold. The body learned to heal itself in sleep in its dreams - and at certain levels in that state even now each portion of consciousness contributes to the health and stability of all other portions. Far from the claw-and-dagger universe, you have one whose very foundation is based upon the loving cooperation of all of its parts.

These ancient dreams were shared to some extent by each consciousness that was embarked upon the earthly venture, so that creatures and environment together formed great environmental realities. Valleys and mountains, and their inhabitants, together dreamed themselves into being and coexistence.

The species - from your viewpoint - lived at a much slower pace in those terms. The blood, for example did not need to course so quickly through the veins, the heart did not need to beat so fast.

Gravity itself did not carry its all pervasive sway, so that the air was more buoyant. Man was aware of its support in a luxurious, intimate fashion. He was aware of himself in a different way, so that, for example, his identification with the self did not stop where his skin stopped: He could follow it outward into the space about his form, and feel it merge with the atmosphere with a primal sense-experience that you have forgotten.

In a fashion those ancient dreams, through their immense creativity, dreamed all of life's creatures in all of their pasts, presents, and futures - that is, their dreams opened up the doors of space and time to entities that otherwise would not have been released into actualization, even as, for example, the units of consciousness were once released from the mind of All That Is.

Dreams, "Evolution," and Value Fulfillment Vol. 1, A Seth Book by Jane Roberts